Archive for the 'Single' Category

[News] Namie Amuro – New Look / Rock Steady PVs

Head on over to http://vidal.jp/ and skip the first screen, then head to the video / collaboration section. Once you’re there, you’ll be able to choose which PV you wish to watch. Once rips have been created, I will post youtube links here.

These are great PVs with great style direction; highly recommended.

New Look

Rock Steady

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[Single] Acid Black Cherry – Fuyu no Maboroshi

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~Track Listing~
01. Fuyu no Maboroshi
02. Koi Ichiya

~Single Review~
Acid Black Cherry released their single, “Fuyu no Maboroshi” on January 16, 2008. Most likely, the song will snatch the group the envious number one ranking on the Oricon chart. Although the single’s sales were strong, they were quite low for a number one single; if the single had been released another week, it may not have gotten number one. That does not mean “Fuyu no Maboroshi” is not good, however.

Quite the opposite, actually: “Fuyu no Maboroshi” is hard rock expertly mixed with orchestrated strings. Although it starts slow, once the rock hits, the song does not let up. Once the rock enteres in, the result is an epic sounding piece that sounds reflective, dramatic, and emotional all at once. Despite the song being dominated by rock after the first verse and bridge, the melody shines through in the strings. The over all vocal effects and layering are quite excellent as well, fitting quite well in the discordant yet organized atmosphere. Although the production sounds older, it works well mainly because of the rock. The song may be hard rock, but it has unity, organization, vocal power, and a memorable melody. “Fuyu no Maboroshi” is exactly what J-rock should be: well-done rock that is accessible for the general public because of its pure musical strength.

“Koi Ichiya” begins with a futuristic intro that paradoxically, sounds like it has dated production. The use of keyboard and synthetic effects continue throughout the song, even when rock flows in, front and center. “Koi Ichiya” has a lot more energy than “Fuyu no Maboroshi” and while it a solid melody and decent production, the song does not have the same coherence as “Fuyu no Maboroshi.” Still, “Koi Ichiya” is quite impressive for a B-side because Acid Black Cherry mixes a variety of elements together to create good music.

As I reviewer, I must put a warning on this single; even if “Fuyu no Maboroshi” is great music, the fact remains it’s rock. If you can’t stand the thought of J-rock, you might as well pass it by. However, if you don’t mind rock, you’ll probably like “Fuyu no Maboroshi:” there’s enough to the single to make endearing besides the just plain rock.

93% A

[Single] WaT – Yume no Tochuu / Tokimeki☆doobeedoo

「夢の途中」/e2「TOKIMEKI☆DooBeeDoo」- WaT
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~Track Listing~
01. Yume no Tochuu (夢の途中)
02. Tokimeki☆doobeedoo by e2
03. Yume no Tochuu (夢の途中) (Instrument)
04 Tokimeki☆doobeedoo (Instrument)

~Single Review~
After releasing their own solo singles, the boys of WaT have gotten back together to release the rather unremarkable single, “Yume no Tochuu / Tokimeki☆doobeedoo.” The single has peaked at number two on the daily charts and should be able to make a top three position. But charting well doesn’t mean WaT’s latest is amazing.

“Yume no Tochuu” features violins, piano, guitar and a mild beat. WaT’s voices are high and sweet as ever in this mid-tempo song, but that only makes the verses drag. Their voices, along with the background music of the verses, is very insubstantial. The choruses easily solve this problem, using a wider variety of instruments besides piano and guitar, as well as through the accompaniment by background vocals. The song also features a good, endearing crescendo, but that doesn’t hide the fact that “Yume no Tochuu” sounds like mid-tempo pop all the way through that lacks real feeling.

“TOKIMEKI☆DooBeeDoo” starts out with a distinct 90s J-pop sound because of the questionable use of synthetic beat. This feeling persists through the verses, but is eliminated in the bridges and in the choruses, which add-in better effects to improve the song’s sound. “TOKIMEKI☆DooBeeDoo” is catchy, but over the top at times with its cute hooks and the use of “I love you.” Even poppier than “Yume no Tochuu,” “TOKIMEKI☆DooBeeDoo” is fast, juvenile pop with decent hooks, nothing else; considering WaT has done this style better in “Ready Go!,” “TOKIMEKI☆DooBeeDoo” cannot be recommended.

WaT is a capable duo, and perhaps both Eiji Wentz and Teppei Koike and are capable soloists as well. Here, however, they have not done well as they have creating a single that lacks their usual flair. Of course, the usual WaT sound and vocals are there, but “Yume no Tochuu / Tokimeki☆doobeedoo” lacks WaT’s usual polish. If this single is meant to foreshadow their next few singles, I’m quite afraid.

74% C

[Single] Kana Nishino – I Don’t Wanna Know

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~Track List~
01. I Don’t Wanna Know

~Single Review~
Kana Nishino, a new Sony artist will be releasing her debut single, “I” on February 20, 2008. However, preceding that release, Kana Nishino released “I Don’t Wanna Know,” an English download exclusive to iTunes US. The song is essentially the English version to “I.”

“I Don’t Wanna Know” is an interesting song that borders on discordant at times. The vocals and lyrics aren’t especially strong; Kana Nishino is hard to understand as her pronunciation is Engrish at best. This means that you can’t understand much other than the chorus and the bridge. And her vocals don’t exactly soar above the rest of the rock track, letting the words mix into the music too much at times. Those problems are not present in the Japanese version of the song, so it is the superior version. Still, the hook “I don’t wanna know” is catchy and memorable, and the instrumental’s rock guitar riff base is great. The track is synthetic, rock, and dark all at once. Over all, “I Don’t Wanna Know” is probably regular J-pop single filler, but displays a nice new sound from a debut artist.

82% B

[News / New Artist Spotlight] Kana Nishino – I (PV)

『I』西野 カナ (Nishino Kana)

The PV is particularly strong for a debut artist, with excellent effects and a dark, underwater setting. Despite a lack of choreography or dancing, the PV features a great wardrobe, great imagery and good direction: nary a moment is boring. When you mix captivating visuals with well produced sound, you come out with a a well rounded PV. “I” is a great debut, probably one of the best since JYONGRI’s “Possession.” Although Kana Nishino’s vocals aren’t particularly strong, the rock riffs and synthetic instrumentation work well with the layering to create a good song. “I” may be difficult to love first listen as it features harder, somewhat discordant rock, but the production and arrangement work well in the end.

Kana Nishino is an artist to look out for. Her debut single, “I,” will be released February 20, 2008. I’ll be sure to review the single around it’s release.

The Single Information / Cover:

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~Track Listing~
01. I
02. In Stereo
03. Just a friend

You can visit her official website here.

A big thanks to moviebuffwwc for the tracklisting and Lemonlime for the news.

[News] Stephanie – Friends PV

Stephanie certainly has rocked it up in her latest song, “Friends.” Much like her B-sides, this song depends on guitar riffs and ignores Stephanie’s whistle notes in favor of a fast paced song. Although the PV isn’t amazing, the differentiation of shots and the motion does help mix things up a bit (it is shot all in one room). Over all, not too bad at all.

Sorry about the video getting taken down. In the future, please comment if that happens.

[Single] Yuna Ito X Celine Dion – Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~

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~Track Listing~
01. Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~
02. Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (USA Mix)
03. Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (Ito Yuna Solo Version)
04. Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (Instrumental)

~Single Review~
Every once in a while, there comes a release that makes it a joy to be a reviewer, letting me look forward to reviewing the song. Well, believe it or not, “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~” is one of those songs. The single, featuring the amazing combination of J-pop starlet Yuna Ito and experienced American (Canadian by birth) pop songstress Celine Dion, was released on January 16, 2008. The single had larger than life expectations to fit, and it is my joy to confess that yes, the two met them. They have done splendidly.

The lead version of “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~” is the version featured in the PV. The song features a great instrumental and vocal combination. Compared to the USA version, the instrumentals are fuller here and Celine Dion is more on the back burner. That’s not a bad thing; Celine Dion still sings the English parts of the chorus with soaring vocals, and Yuna Ito takes over for the Japanese parts. The song is split quite evenly; even though the song may be Celine Dion (it feels like a lot of her discography) the two share the spotlight here. Celine Dion even sings phonetically in Japanese, backing Yuna Ito up. That only strengthens a catchy chorus that is both memorable and emotional. Although at times over the top with full violin, guitar, drums and synthetic instrumentation, Dion’s and Ito’s vocals are over the top as well; they feel at home on this power ballad, and that comes off across. Over all, “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~” is catchy, despite not sounding extraordinarily special.

“Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (USA Mix)” features less full instrumentation that is much more guitar based, leaving the vocals in the spotlight. Although the violins do make an entrance during the bridge, the song never attains to that J-pop feeling the original version did. That’s probably because the chorus just feels much barer without those elegant string sections at the end. That’s not to say this mix isn’t good, at moments, this mix is better than the other one; but the background vocals don’t meld as well and the chorus just isn’t as strong. The weak link in the chorus turns out to be Dion, who vocals still soar, but lack the depth they had with Ito’s full background vocals. They try to harmonize here and a gospel even enters the fray near the end, but “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (USA Mix)” just isn’t as good and as big.

The Yuna Ito solo version of “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~” features a new verse and bridge, all in Japanese. Ito does a good job taking up the helm of the song here without Celine to lean on. However, Ito’s voice was clearly not meant to sing the powerful notes that Celine’s does, and her voice sounds out of place when she sings Dion’s “you gave me a world to believe in.” Even though clear and pretty, Ito’s voice does have that melisma. For that reason, “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (Ito Yuna Solo Version)” sounds inferior to both other versions.

In the end, “Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~” sounds incredible. Celine Dion heard an artist who is usually hit or miss and guided her towards a big hit.

94% A